Continuator: The Autobiography of a Socially-Conscious, Cosmopolitan Composer
Historically, the term "cosmopolitan" has often been combined with the adjective "rootless," to describe members of the Jewish diaspora with a sense of alienation from mainstream culture. The author of this autobiography, the creator of music to words in eleven languages, and translations from each of them into his native English, feels anything but rootless, however, in his devotion to learning from and extending tradition.
In this memoir, he describes the influences of family, mentors, and colleagues that have shaped his life and work, including 100 translations/adaptations, 12 operas, 7 musicals, and 246 other vocal and instrumental works (heard on 6 continents) based on words by Blake, Rossetti, Shelley, Dickinson, Malamud, Chekhov, Heine, Brecht, Nash, Abel Meeropol, Langston Hughes, Norman Rosten, Karl Shapiro, Mihai Eminescu, Joel Shatzky, and dozens of other writers (especially women and Australians) in English, French, German, Greek, Hebrew, Ladino, Romanian, Russian, Spanish, Xhosa, and Yiddish.
He also recounts his learning experiences at Harvard, Cornell, Indiana; with the Guarneri Quartet, Nadia Boulanger, Erik Werba, Boris Goldovsky; as Metropolitan Opera Assistant Chorus Master; and in several German-speaking theaters in Europe, culminating in Berlin, where he was the first Jew to conduct Fiddler on the Roof in that city, and founded the Jüdischer Musiktheatreverein in Berlin. At the invitation of Wolfgang Wagner, he and his wife Helene performed the first Yiddish song recital in Bayreuth during the Wagner Festival.
Adapting/completing unfinished works by Marc Blitzstein, including Idiots First (winner of the first Off-Broadway Opera Award for "most important event of the season") and Sacco and Vanzetti (nominated for a Pulitzer Prize), he worked with Leonard Bernstein, who called him "Marc's dybbuk" and composers Lazar Weiner, Paul Hindemith, Earl Kim, Harold Blumenfeld, Virgil Thomson, David Diamond, Joel Mandelbaum, Tom Lehrer, Lou (and Peter) Berryman, Pete Seeger, Sheldon Harnick, Ned Rorem, Stephen Sondheim, John Eaton, Donald Erb, Robert M. Palmer and especially Elie Siegmeister, who called him "my Continuator" - hence the title of this book.
Finally, the autobiography chronicles adventures on four continents, including over 700 performances with soprano Helene Williams, celebrating Emma Goldman, Rosa Luxemburg, Anne Frank, and five centuries of music, theatre, and naturism, in close to 5,000 Youtube videos with over 1,000,000 views to date.
A member of the Green Party, Community Church of Boston, and the ACLU, Leonard J. Lerhman was the first President of the Long Island Composers Alliance; co-chaired the National Committee to Reopen the Rosenberg Case; and hosted WHRB's "Serious Music Today" and WBAI's "Music of All the Americas." He attended the 1963 March on Washington and conducted the 1989 Manhattan premiere of the cantata I Have a Dream, as well as the Workmen's Circle Chorus, Oceanside Chorale, and the Gilbert & Sullivan Light Opera Company of Long Island. Reference Librarian at Oyster Bay-East Norwich Public since 1995, Metropolitan Synagogue High Holidays Musical Director since 2014, he founded The Metropolitan Philharmonic; Chorus and the Composer/Performer Roundtable of the Music Library Association; and created and taught the first course in Jewish Opera at Hebrew Union College-Jewish Institute of Religion.
In the opening story of his family, Leonard Lehrman writes that his grandfather’s “persistence, meticulousness and honesty were [said to be] legendary.” This history is enough of a gift to justify the book, but that quote also applies to Leonard, whose legend preceded him when he entered Harvard as a musical wunderkind. “CONTINUATOR: The Autobiography of a Socially-Conscious, Cosmopolitan Composer” is an uncompromising chronicle of a radically talented composer, teacher, and pianist who describes his devoted life in music as a struggle. What emerges is a history of our time revealed in one man’s saga, with shattering glimpses of self-awareness and love for this world and its people.
--Philip Aaberg, Legendary pianist, composer,
Grammy and Emmy Nominee, honorary D.M., Montana State University
Lehrman pens a comprehensive work of legacy, influence, and impact. He invites us into his life through stories of his family lineage told with humor and wit but with raw truths that provide morsels of wisdom for us all. The chapters proceed with a detailed journey of Lehrman’s access and exploration in music that leads him to a career researching, composing, and performing music to promote social justice in works of Jewish identity. As the ultimate scholar on the works of Marc Blitzstein, it is no surprise to witness in this publication the impact and influences on Lehrman in how he has become the consummate musician and scholar that he is. --Jeremy Blackwood, Dean of Graduate Studies/Associate Professor of Voice, Southeastern Oklahoma State University
Leonard Lehrman’s new autobiography is a fascinating reflection of an incredibly active, brilliant, and consequential American musician and scholar. Lehrman’s encyclopedic memory takes the reader on a comprehensive and animated journey through each stage of his personal and professional life, all of which contribute to his enduring impact on the contemporary American musical landscape. Anyone possessing either a profound or peripheral interest in the intersection of contemporary American composition, performance, and social dignity should acquire Leonard Lehrman’s new book. You won’t be able to put it down.
--Dr. Kenneth O. Boulton, Dean, School of Fine Arts,
Northern State University, Aberdeen, South Dakota
Delightfully readable as well as remarkably comprehensive, Lehrman's book charts not only the course of his own indefatigable life in music, but also provides rich contextual background for his enduring preoccupations with social justice, his devotion to like-minded composer forebear Marc Blitzstein, and the world of his own far-ranging musical output. The text is both wonderfully informal and scholarly; headstrong, opinionated yet self-deprecating; humane but sometimes witheringly direct; penned by a mind to which seemingly every detail sticks, but also by someone who knows how to tell a good story and not linger a moment too long on any one subject. From its eyewitness perspective, the book celebrates a learned but free-spirited and independent 20th and 21st century composer who has written music in every imaginable genre, and for whom the art has consistently been wedded to political activism, and human and spiritual expression.
--Allen Shawn, composer, pianist, professor at Bennington College,
author and biographer of Arnold Schoenberg and Leonard Bernstein
Published: 2024
Page Count: 562